日常空隙所要講述的是一種很細微的觸動，

是一種在生活和生活空隙之間被啟動的空白思緒，

總是發生在佈滿生活碎片的日常生活場景中，

在空隙裡的觸動是一種既乾淨且純粹的情感。

身體和精神的勞動密度越高，益發容易觸動日常空隙的發生，

透明發著光的空隙，輕輕的出沒在日常事件中的某各莫名時刻，

就像被點燃的紙張一樣，

輕且緩的蔓延出一個與當下相異的時間與空間，

是無法延續的時空接點， 是不具體存在的空間場景，

眼睛緊盯著空隙，或一直想著那個觸動，不能移動半吋，

身體感官全然的打開，意識敏銳的感受到時間與空間的流動，

日復一日的生活場景被劃分出兩個不同氛圍，

身體的停滯使呼吸變得清楚且緩慢，緊緊被空隙吸引的自己，

看見空隙中藏著無邊際的渴望，來自生活某處無法填補的渴望，

但實際上那兒什麼也沒有，

只有被高度密集的生活壓縮之下的空隙而已。

新樂園藝術空間

財團法人國家文化藝術基金會 行政贊助

台北市文化局 維護贊助

“Interspace” takes place in the moments of our fabricated modern life: it is a slight yet touching experience; a blank occurs between our streams of thoughts; and a sensibility that is so pure and clean. The more the mind and body are exercised, the more we see the generation of an interspace. It quietly flows out at any time in everyday life, like a glaring light burns from the edge of a piece of paper, and extends slowly a space-time, incongruous with the present. The moment cannot be continued and the space does not exist in any objective form. That interspace catches one’s eye, occupies one’s brain and freezes one’s move, but the sensibility is completely awakened, smartly experiences the flow of time and space that creates a complete different atmosphere from the everyday life. Being in the interspace lowers our physical movement, makes us hear our breath, slow and clear, and puts in front of us the unattained thirst and hunger in our daily life that grabs us from leaving. However, there is nothing in that space: it is simply a gap found in the condensed life squeezed by intense pressures.      

Shin Leh Yuan Art Space